Join the #MedHumChat community as we discuss Expectations and how they shape our experiences. This chat was curated by Becca Omlor (@BeccaOm15).
Mary Oliver: Work, Sometimes
I was sad all day, and why not. There I was, books piled
on both sides of the table, paper stacked up, words
falling off my tongue.
The robins had been a long time singing, and now it
was beginning to rain.
What are we sure of? Happiness isn’t a town on a map,
or an early arrival, or a job well done, but good work
ongoing. Which is not likely to be the trifling around
with a poem.
Then it began raining hard, and the flowers in the yard
were full of lively fragrance.
You have had days like this, no doubt. And wasn’t it
wonderful, finally, to leave the room? Ah, what a
moment!
As for myself, I swung the door open. And there was
the wordless, singing world. And I ran for my life
Denise Levertov: A Clearing
What lies at the end of enticing
country driveways, curving
off among trees? Often only
a car graveyard, a house-trailer,
a trashy bungalow. But this one,
for once, brings you
through the shade of its green tunnel
to a paradise of cedars,
of lawns mown but not too closely,
of iris, moss, fern, rivers of stone rounded
by sea or stream,
of a wooden unassertive large-windowed house.
The big trees enclose
an expanse of sky, trees and sky
together protect the clearing.
One is sheltered here
from the assaultive world
as if escaped from it, and yet
once arrived, is given (oneself
and others being a part of that world)
a generous welcome.
It's paradise
as a paradigm for how
to live on earth,
how to be private and open
quiet and richly eloquent.
Everything man-made here
was truly made by the hands
of those who live here, of those
who live with what they have made.
It took time, and is growing still
because it's alive.
It is paradise, and paradise
is a kind of poem; it has
a poem's characteristics:
inspiration; starting with the given;
unexpected harmonies; revelations.
It's rare among
the worlds one finds
at the end of enticing driveways.